The typefaces used throughout the brand further enrich the identity. “Owners, a display font from MCKL type foundry, serves as the headline font, demanding attention and reflecting a sense of urgency,” Darlington elaborates. For subtitles, Revolt London chose P22 Mackinac Pro, a font with rounded terminals and humanist forms which provides “a balanced contrast to the dominant headlines,” he adds.
When it came to choosing the right illustrator for the project, Senior Designer Shahina Ahmed explains why Cécile Dormeau was the perfect fit – “Her distinctive style, and emotive, body-positive illustrations, perfectly capture the balance of fragility and strength that defines the journey of those affected by ovarian cancer.” Dormeau’s work brings a sense of empowerment and relatability to the campaign, humanising the subject matter and creating a deeper, more personal connection with the audience.
One of the most challenging aspects of the rebranding was striking a balance between loud advocacy and empathetic guidance. While the team initially felt compelled to imbue the design with a “sense of action, urgency and assertiveness,” they soon realised that it wasn’t appropriate, given “the more sensitive points of communication, sharing stories from women who have experienced ovarian cancer, or detailing research.” By pairing the brand’s type with a palette expanded from the key Ovarian Cancer teal hue – featuring a bright, bold, magenta and orange as accent colours – the brand’s communications can be impactful for fundraising, while still offering compassionate guidance.
Check out the full case study
here